Shamelessis a dramedy about the poor, dysfunctional Gallagher family. Made up of an ensemble cast, the Gallaghers include: neglectful single father Frank (William H. Macy), eldest sister Fiona (Emmy Rossum) who acts as the matriarch of the family, and the rest of the siblings including Lip, Ian, Debbie, Carl and Liam.
Shamelessis different than any other TV showfocusing on working-class families, likeMy Name is EarlorRoseanne, in that it emphasizes the effects of Frank’s drug and alcohol addiction on his family. Each episode is about his children taking care of themselves and learning how to clean up and dodge the messes Frank creates.
Developed for Showtimeby John Wells,Shamelessis an adaptation of Paul Abbot’s British TV series of the same name. It ran for 11 seasons, from 2011 to 2021, though the final season was delayed due to the COVID-19 pandemic.
Shamelessis one of those shows that offers a little bit of everything. It’s gritty and funny but also full of drama, sentimental moments, and at times, even a bit of darkness. With 11 seasons — all of which are available to stream on Netflix — here’s a breakdown of each season, ranking them from best to worst. Be warned, if you haven’t watched the show yet, there are guaranteed spoilers ahead.
11Season 8
WhileShamelessis a solid show overall, season eight was a bit of a dud. It feels generally unfocused and half-baked. There are several storylines and subplots happening at once and none of them feel totally fleshed out, so it’s hard to keep track of what’s going on. In the end, the season doesn’t actually wrap up anywhere, and a lot of the storylines continue into season nine.
The most convoluted plot line has to be Ian’s (Cameron Monaghan) “Gay Jesus” rampage, leading up to the scene where he blows up a van. His character’s story arc during the season is just all over the place and doesn’t really feel like it fits within the rest of theShamelessuniverse. On the other hand, there’s a worthwhile storyline from Lip (Jeremy Allen White) about his continuing struggles with alcohol addiction as he works to get his life on track.
10Season 9
Season nine is another instance whereShamelesspacked so much into one season, that it ended up being too much. Because season eight had so many complex storylines that it didn’t wrap up before the season’s last episode, season nine picks them right back up.
The biggest happening in season nine was Fiona’s (Emmy Rossum) departure from the show, which wasmet with some mixed reviews. While it was obviously sad to see such a major character leave the show and made the trajectory of the rest of the series feel uncertain, her departure feels bogged down by the messiness of the rest of the season. All the episodes of season nine essentially lead up to Fiona leaving, but it feels like it takes forever to finally get there.
9Season 10
For season 10 being the first season without Fiona, it wasn’t horrible, but it also wasn’t as good as previous seasons were. The show writers didn’t necessarily replace Fiona — if anything they showed viewers why her character was irreplaceable — however, the audience did get to see a little more of Debbie, as she stepped up a bit and matured in attempt to take care of the house and everything Fiona handled.
Adjusting to a Fiona-less season was hard for long-time viewers, but it wasn’t all bad. In all honesty, the writers did the best with what they had, and the best part of the season has to be the long-awaited Gallavich wedding between fan-favorite couple Ian and Mickey.
Following season four, which is often referred to asShameless’sheaviest season, season five has a more upbeat tone, though the entire series is a rollercoaster of dramatic highs and lows. Season five has a lot of strong storylines like Frank (William H. Macy) falling in love with Bianca, a doctor dying from cancer, Fiona marries Gus, Debbie falls in love, Kev (Steve Howey) and V (Shanola Hampton) take a break following the birth of the twins— there’s a lot happening. Some of these storylines end badly — like when Bianca dies or Fiona’s relationship doesn’t work out — but others seem to go well, like Kev and V reconciling their issues and getting back together.
Despite how much is going on this season, the best part is Ian’s character arc regarding his battle with mental illness andCameron Monaghan’s heartbreaking, raw portrayalof his character’s struggles. Ian checks into a psychiatric hospital where he’s diagnosed with bipolar disorder. While having an official diagnosis feels validating, the comparisons drawn between him and his mother, Monica, are painful for him — and others — to handle.
Related:Best Movies About Dysfunctional Families, Ranked
7Season 11
The final season ofShamelesswas met with a lot of trials — just like any production at the time — due to the COVID-19 pandemic. Shutdowns and restrictive preventive measures forced writers to work over Zoom, which made the storytelling process difficult. That’s not to say the final season was bad, but it’s hard to deny that the struggles the creative team was up against didn’t impact the show’s send-off.
Maybe if the pandemic wasn’t such a setback, the final season could’ve offered more, or maybe it would’ve gone in an entirely different direction. It’s hard to tell. For what it’s worth, it was still an entertaining season. It didn’t wrap up every character’s storyline with a bow — except for maybe Frank’s — but in a way, it’s nice that it didn’t, as it allows the audience room to speculate what they think happened totheir favorite characters.
Season six is good. It has incredible acting, well-thought-out storylines and sees a lot of character development. However, only a few of those well-thought-out storylines are really memorable, while the rest just fade into the background. In a way, season six serves as a solid jumping-off point for season seven, one of the show’s best seasons.
The most notable plot points viewers likely remember from season six are Fiona’s wedding, when Frank crashes it and tells her Sean is still using drugs, Lip’s issues with alcohol addiction continuing to swell and the climax of Carl’s (Ethan Cutkosky) gangster lifestyle. In one of the saddest episodes, “NSFW,” Carl’s friend Nick murders a kid for stealing a bike. Though Carl tries to stop him, he’s too late and the shock and fear of the situation almost scares him straight.
Season two took all the best parts of season one and ran with it, expanding on the characters and both the funny and tragic situations the Gallaghers find themselves in.
One of season two’s main triumphs was showing just how high and lowShamelesswas willing to get. There were laughs and classic Gallagher shenanigans, but there was also real pain and emotion, oftentimes juxtaposed right next to the good times. For example, in “Just Like the Pilgrims Intended,” when the Gallagher family is sitting at the table for Thanksgiving dinner and Monica gets up and attempts suicide in the kitchen, sending everyone into a life-saving panic. At times, it’s hard to watch, but the grit ofShamelessis what makes it such a standout series.
The season that started it all. Season one does a great job at getting you hooked on the show. You meet all the unique characters and get to know them just enough to make you want to know more. WhenShamelesspremiered in 2011, there was truly nothing else like it on air. It was fresh and charming, but also crude and funny. It was a perfect genre blend, offering a little bit of everything to everyone.
It’s no wonder fans got hooked on the Gallagher family after season one and went on to enjoy the show for 10 years. Even today, while other shows and movies featuring dysfunctional families have emerged, nothing is quite likeShameless, and that first season put the show on the map.
Related:Emmy Rossum’s 7 Best Performances, Ranked
Leading into the dark, heavy fourth season, season three is just about as dramatic. It’s one of those seasons where we see the Gallaghers at odds, fighting uphill battle after uphill battle, with little — if any — positive resolution.
Frank’s true toxic nature emerges when he calls Child Protective Services and gets the kids taken away, Mandy hits Karen with her car, which puts her in a coma, and Ian and Mickey’s (Noel Fisher) relationship hits a rough patch when Mickey’s homophobic father catches them together. Season three shows so much character development as the Gallaghers are faced with some of their hardest times yet, which is part of what makes season three so good.
Season seven is likely most remembered as the season when Monica died, and though that storyline really impacted Frank, season seven saw the rest of the Gallaghers reconnecting and experiencing more positives than they did in the previous season. Season six left off in a rough spot for a lot of characters — Fiona was left at the altar, Lip’s alcoholism was getting out of control, and so on — but season seven offers a sense of closure.
By the end, the Gallaghers have reconciled a lot of their differences and each of them are set up in a way to continue seeing improvements in the following season — though in true Gallagher fashion, that isn’t the case for everyone. In terms of season finales, season seven offers a much neater, full circle conclusion than others.
